El fin justifica los miedos (2021)

Through the recovery and re-montage of various film fragments and the commentary of three filmmakers - Carlos Álvarez, Marta Rodríguez, and Carlos Sánchez - a historical and aesthetic journey is proposed through a foundational moment for filmmaking in Colombia (1965-1975), whose images constitute a revolution on the screen. This documentary journey tells how, at a time when the film industry was just being consolidated, a generation of young filmmakers brought about a moment of rupture, subverting official cinema by taking the media to experiment, denounce and narrate other realities in Colombia at the end of the 1960s.