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因为于佩尔,一切变得理所当然:法国女人来到首尔晃晃荡荡,身份不明,少女、夫妇、诗人却乐意亲近。悠闲随意教教法文,轻谈浅笑喝喝马格利酒,来来回回问人家即兴弹琴是何感受;轻描淡写的一天,依然是那么的洪常秀,吹灰不费又拿多一只柏林银熊。继《他乡的女人》及《嘉儿的照相机》后三度合作,于佩尔已泰然自若嵌入洪式游走于虚实的恍惚世界;果然是暧昧的女人(该说导演?)最迷人,留下一片空白,予诠释与想像无限可能。不见金珉禧?看片尾名单自有分晓。