20 Best Satyajit Ray Movies and Where to Watch Them

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Satyajit Ray isn’t just an Indian legend but is widely regarded as one of the greatest auteurs in the history of cinema. Born in Calcutta (now Kolkata), the Bengali filmmaker’s impact on Indian cinema and his contribution to world cinema are immeasurable. His unique filmmaking style, career highlights such as winning an Oscar, and his lasting legacy continue to influence filmmakers globally.

The Maestro’s Filmmaking Style

Ray's filmmaking style is characterized by its realism, attention to detail, and profound humanism. He was deeply influenced by Italian neorealism and the works of masters like Vittorio De Sica and Roberto Rossellini. Ray's landmark debut, Pather Panchali (1955), marked the beginning of the Apu Trilogy, a landmark in Indian cinema. The trilogy, which also includes Aparajito (1956) and Apur Sansar (1959), portrays the life of Apu from childhood to adulthood with unparalleled sensitivity and authenticity.

Ray's films are known for their exploration of the human condition, social issues, and intricate character studies. His ability to capture the nuances of everyday life and present them on the screen with remarkable simplicity is a testament to his storytelling prowess. Ray's films often eschew melodrama, relying instead on the strength of the narrative and the authenticity of the performances.

Satyajit Ray’s Oscar Win

In 1992, Ray received an honorary Academy Award for Lifetime Achievement in recognition of his unparalleled contributions to world cinema. The Oscar was a momentous occasion not only for Ray but also for Indian cinema as a whole. It brought global attention to the richness and depth of Indian filmmaking, breaking the stereotype that cinema from the subcontinent was confined to Bollywood musicals. Ray's Oscar win opened doors for a new wave of Indian filmmakers to explore diverse themes and styles.

While the Apu Trilogy and the Oscar were pivotal moments in Ray's career, his filmography is expansive and diverse. Charulata (1964), based on a novella by Rabindranath Tagore, is celebrated for its portrayal of a woman's emotional and intellectual journey in 19th-century Bengal. Jalsaghar (1958), a film exploring the decline of a zamindar (landowner) class, showcases Ray's mastery in creating atmospheric and visually stunning cinema.

A Renaissance Man

Beyond his directorial achievements, Ray's influence extended to various other roles in the film industry. He was a prolific writer, creating memorable characters in his detective series featuring Feluda and the scientist Professor Shonku. Ray was also a music composer, providing soulful and evocative scores for many of his films. His artistic versatility contributed to the holistic development of the cinematic medium in India.

The Legacy of Satyajit Ray

Satyajit Ray's legacy on Indian cinema is immeasurable. He inspired a generation of filmmakers to explore new storytelling techniques and narrative structures. His emphasis on realism and the human experience influenced the parallel cinema movement in India, giving rise to filmmakers like Shyam Benegal and Mrinal Sen. Ray's films have also left an indelible mark on global cinema, influencing directors such as Martin Scorsese, Akira Kurosawa, and François Truffaut.

Why is Pather Panchali Satyajit Ray’s best movie?

Released in 1955, the first installment of the Apu trilogy’s brilliance lies in Ray's ability to capture the beauty and harshness of everyday existence. The narrative unfolds with delicate subtlety, weaving a rich tapestry of emotions through the life of young Apu and his family. Ray's commitment to realism, coupled with breathtaking cinematography and a haunting musical score, makes Pather Panchali an enduring classic that resonates with audiences, transcending cultural and temporal boundaries.

Where can you stream Satyajit Ray’s filmography?

Prime Video, Hoichoi, Plex and more.

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  1. Pather Panchali

    Pather Panchali

    1955

    #1

    Impoverished priest Harihar Ray, dreaming of a better life for himself and his family, leaves his rural Bengal village in search of work. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1996.

  2. Aparajito

    Aparajito

    1956

    #2

    Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.

  3. The Chess Players

    #3

    In the year 1856, Nawab Wajid Ali Shah is the King of Awadh, one of the last independent kingdoms of India. The British intend to control this rich land and send General Outram to clear way for an annexation. Pressure is mounting amidst intrigue and political maneuvers, but the Nawab whiles away his time in pursuit of pleasure and religious practice. The court is of no help either — noblemen Mir and Mirza ignore all duties and spend their days playing endless games of chess. Based on Munshi Premchand's short story of the same name. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2010.

  4. The Hero

    The Hero

    1966

    #4

    Arindam, a matinee idol, is going by train to collect an acting award. On the train, he is confronted by Aditi, a journalist who somewhat unwillingly starts to take his interview. Arindam, won over by Aditi's naivete, starts to disclose his past, his fears and his secrets.

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  5. The Home and the World

    #5

    When the movie opens, a woman is recalling the events that molded her perspective on the world. Years ago, her husband, a wealthy Western-educated landowner, challenged tradition by providing her with schooling, and inviting her out of the seclusion in which married women were kept, to the consternation of more conservative relatives. Meeting her husband's visiting friend from college, a leader of an economic rebellion against the British, she takes up his political cause, despite her husbands warnings. As the story progresses, the relationship between the woman and the visitor becomes more than platonic, and the political battles, pitting rich against poor and Hindu against Moslem, turn out not to be quite as simple as she had first thought.

  6. Charulata

    Charulata

    1964

    #6

    In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.

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  7. The Elephant God

    The Elephant God

    1979

    #7

    Set in the holy city of Benares, this is the second film about the detective Feluda, who goes on a holiday with his cousin, Topshe, and his friend, Lalmohan Ganguly. But the theft of a priceless deity of Lord Ganesh (the Elephant God) from a local household forces him to investigate.

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  8. The Golden Fortress

    #8

    A young boy becomes a target for crooks, after he claims to remember his past life and mentions precious jewels in a golden fortress.

  9. Goopy Bagha Feere Elo

    #9

    Goopy Bagha Phire Elo (Bengali: গুপী বাঘা ফিরে এলো) (1992) is the third sequel of Goopy Gyne Bagha Byne series. It was directed by Sandip Ray and written by his father Satyajit Ray. This film was released eleven years after its predecessor Hirak Rajar Deshe.

  10. The Stranger

    The Stranger

    1991

    #10

    A well-off Indian family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.

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  11. The Coward

    The Coward

    1965

    #11

    Amitabha Roy is a Calcutta-based scriptwriter, driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta, offers hospitality for the night. Amitabha is forced to accept the offer as he has no alternative. Preserved by the Academy Film Archive in 2005.

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  12. The Music Room

    The Music Room

    1958

    #12

    An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.

  13. Company Limited

    Company Limited

    1971

    #13

    The chronicles of Shyamalendu Chatterjee, an ambitious and self-made young man, as he rises his way up the corporate ladder. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2001.

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  14. An Enemy of the People

    #14

    Ashoke Gupta is an idealistic doctor working in a town near Calcutta. He discovers that the water at a popular temple is the source of an outbreak of typhoid and hepatitis. In order to save lives, he risks his career to try and call attention to this polluted water source, while a local group of building contractors attempt to discredit him in various ways.

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  15. The Expedition

    The Expedition

    1962

    #15

    The story revolves around a North Indian taxi driver, Narsingh, who attempts to reinvent his life by visiting his native place, but instead gets embroiled in a local Marwari businessman's smuggling and human trafficking business. Preserved by the Academy Film Archive in 2001.

  16. Chiriyakhana

    Chiriyakhana

    1967

    #16

    When Byomkesh Bakshi's new client, Dr. Nishanath Sen, is murdered at Golap Colony, he decides to probe into the case with the help of his close aide, Ajit.

  17. The Big City

    The Big City

    1963

    #17

    Life at home changes when a housewife from a middle-class, conservative family in Calcutta gets a job as a salesperson. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1996.

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  18. Distant Thunder

    Distant Thunder

    1973

    #18

    Gangacharan is the new Brahmin of a village, where he assumes various duties: teaching, organizing religious events, and trying to prevent epidemics. But in that year 1943, war is raging (as reminded by the planes occasionally heard flying over the countryside), and a major famine is under way. As food shortages reach catastrophic proportions, Gangacharan attempts to preserve his privileged situation, while his generous wife, Ananga, conversely tries to help and support the community.

  19. The Holy Man

    The Holy Man

    1965

    #19

    A wandering baba initiates a widower layer and his youngest daughter, irritating her boyfriend Satya and the ever-skeptical Nibaran.

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  20. The Kingdom of Diamonds

    #20

    When Goopy and Bagha learn about Hirak Raja's tyranny, they try to set him right with the help of Udayan, a school teacher, and their magical powers.