Before the Sun (2023)

Banchi Hanuse's doc takes us to the golden plains of Blackfoot Territory to the home of Logan Red Crow, a young Siksika woman whose passion is the Indian Relay. A sport for the truly brave, the Relay's bareback riders vault from horse to horse in short, exhilarating races. Gentle and reflective, yet unshakable in her determination, Logan is a champion in the making. Besides her skill and sheer grit, she has a loving family, an elite group of horses, and a home on her ancestral lands. Those are invaluable, but this rider will need more for victory. As Hanuse follows her through one competition after another, we see courage put to the test, and also get a picture of the other factors involved in the sport-including blind circumstance. Aitamaako'tamisskapi Natosi: Before the Sun offers the dual pleasures of serenity and suspense: we get leisurely, lyrical immersion in rural life as well as the thrill of rooting for victory. Logan's bond with her horses is palpable, and Hanuse shows us her tender interactions with them contrasted with gripping races. The animals are beautiful in their mute strength, and the director honours them with loving, graceful images. The connections explored here are profound and lasting: those between Father and Daughter, animal and human, family and community, ancestral tradition and contemporary life. Graceful, compelling and uplifting, this is an inspirational gem. It offers, through Logan, her horses, her family and her Nation, a portrait of radiant heroism.